16本國外優秀服裝設計作品集案例分享！

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第一本

Sexual fetishism 戀物癖

很多服裝設計師以「 戀物癖」為時尚設計的題材，如朋克時尚教母Vivienne Westwood、Craig Green。

一般來說，一個系列最好有 40張服裝草稿圖，多多益善。

第二本

Laura Tache倫時新銳設計師

既玩得轉維多利亞的浪漫，亦可以讓人們身處自然的擁抱之中。很難想像這兩種截然不同的風格怎能出自一個設計師之手，不過Laura Tache做到了。

Laura Tache

打開Laura Tache的作品集就像開啟了潘多拉的魔盒，歷史記憶的翻湧引發了人們心靈中美麗的共鳴。

Laura Tache

似乎帶有古典主義的美好事物都被應用在Laura Tache的設計之中，變換的印花、連成串的珍珠、手寫的情書，一幕幕勾勒著Laura Tache腦海中的美好。

第三本

《the Tengri Manifesto》（騰格里宣言）

The house of Tengri

The house of Tengri的創始人是出生在Hollywood的亞裔美國人，現居倫敦。在一次與朋友一起旅行中，住在蒙古的牧民家庭時產生的想法激發了她的創造力，她將這個想法寫在了一張巧克力包裝上，並成立自己的品牌。

她還發現了Khangai yak——一種在蒙古西部漢愛山區發現的本土野生物種（氂牛），它們的毛像羊絨一樣柔軟，比美利奴羊毛暖和，而且不易過敏。因此Nancy Johnston集結了牧民、設計師、以及製造商開始了自己的構想。

Laura Tache

「IN ETHIOPIA」就是Laura Tache與The house of Tengri合作的系列。

Laura Tache

Laura Tache的天然染料

Laura Tache

第四本

REAL LEATHER, STAY DIFFERENT COMPETITION真皮的，與眾不同的競爭

REAL LEATHER, STAY DIFFERENT COMPETITION

真皮的，與眾不同的競爭

This is a project for the 'Real Leather, Stay different' copetition. In the world today fast fashion plays a big part in the destructuin of our environement. According to the Institute of Sustainable Communication, the clothing industry is the world's second-largest clean water polluter.The aim is to create a project which will raise awareness to the importance of slow fashion and the leather industry.

這是一個「真皮，與眾不同」的項目。在當今世界，快速時尚對我們環境的破壞起了很大的作用。根據可持續通訊協會的說法，服裝業是世界上第二大清潔水污染源。這個項目的目的是提高人們對慢時尚和皮革工業重要性的認識。

第五本

畫家眼中的世界-THE WORLD THROUGH THE EYES OF A PAINTER

Ual RUI ZHOU

LONDON COLLEGE OF FASHION UAL

GRADUATES: 2021

SPECIALISMS: FASHION/ PAINTING

MY LOCATION: LONDON, UNITED KINGDOM

在2020年的封鎖期間，我在家做了很多自畫像。我把自畫像作為一種反思，作為觀察和認識自己的方式。繪畫是我從上中學就一直生活在一起的東西。繪畫對我影響很大，它教會了我看待世界的不同方式。

在這個項目中，我用我的自畫像和一些繪畫概念作為靈感來做時裝設計。我探索了一些新的方法，將二維圖形與三維服裝相結合。在這些畫的基礎上，創造了一些有趣的技法和色彩。

During the lockdown of 2020, I did many self-portraits at home. I used the self-portrait as a reflection and the way to observe and know myself. Drawing is something that I always live with since I enter middle school. Drawing influence me a lot and it taught me a different way to see the world. In this project, I used my self-portraits and some concept of drawing as inspirations to do fashion design. I explored some new ways to combine 2D drawings into 3D clothes. And some interesting techniques and colors have been created based on these drawings.

第六本

SARA CARNEY FOR NEEDLES

作為最後一年提交作品組合的一部分，我們被要求合作設計一個品牌，我們認為這個品牌挑戰了我們通常的風格和美學。作為一個主要以黑色為主的設計師，我認為這很合適，我挑戰自己，設計了一個系列，通過印刷、圖形和色彩來展示我的適應能力。針是我一直很喜歡的日本品牌，所以我覺得這個簡單的設計很刺激，很喜歡完成它。我利用 kiezo 對顏色和勇氣的崇拜，創造了一個大學生系列，呈現了一個帶有」美國夢」的針頭。

As part of the portfolio submission segment of our final year, we were asked to design, collaboratively, with a brand that we thought challenged our usual style and aesthetic. As a designer who tends to work predominantly in black I thought it fitting that I challenged myself by designing a collection that demonstrated my ability to adapt by working with prints, graphics and colour. Needles is a Japanese brand that I have always admired so I found this brief really stimulating and loved completing it. I used Kiezo's adoration for clashing colours and boldness to create a collegiate collection, presenting a NEEDLES take on 'The American Dream'.

DOMUS ACADEMY WITH HUMANA VINTAGECOLLABORATION

It is a sustainable project. A new outfit is designed with second-hand clothes. This project advocates for 'Animal 'Rights'.

第七本

MON

編織藝術

作為一個對中國傳統文化和歷史很感興趣的中國女孩，我通常受到中國傳統文化的啟發。中國一個叫苗族的少數民族，創作了這個系列。他們以服裝，飾品和節日而聞名。我的靈感來自於他們頭髮的形狀，以及他們如何用頭髮來表現他們的文化。為了創造出一個可以理解的系列，我努力創造出不同類型的手工布料。同時也包括銀飾和銀髮，我想通過我的收藏來實現苗人鳳的手工藝精神

探討國際美容品牌瑪琳凱如何進入年輕的目標市場，以及他們可能需要什麼促銷工具，以製作一個無縫的活動，將吸引一個新的消費者。

MARY KAY COMPETITION BRIEF

Exploring how international beauty brand MaryKay can delve into a younger target market, and what promotional tools they may need to produce a seamless campaign that will appeal to a new consumer.

BRAIDED CULTURE

As a Chinese girl who is very interesting in traditional Chinese culture and history, I am usually inspired by traditional Chinese culture. An ethnic group in China called Miao inspired this collection.

They are known as their clothing, accessories, and festivals. I took inspiration from the form of their hair and how they are using hair as representation of their culture. In order to create an understandable collection, I pushed myself to create different kinds of hand working fabric manipulation. By also including silver accessories and hair, I wanted to achieve Miao’s spirit of handicraft through my collection

第八本

ARNETA NATHLYA

FASHION BA HONS

HERIOT WATT UNIVERSITY

GRADUATES: 2022

SPECIALISMS: FASHION

MY LOCATION: GALASHIELS, UNITED KINGDOM

This was my 3rd-year project titled NEGATIVE SPACE -- inspired by architecture. The concept for this project was to combine structure and comfort.

第九本

INSERT ARTIFACT

Kevin Pleiter graduated with honors in Fashion Design in 2019 at ArtEZ Institute of the Arts in Arnhem. With his solutions in knitwear, he tries to elaborate on new thoughts in the fashion and textile industry. Taking sustainability as an integrated way of working, another main focus lies on researching the fascinating relationship between tension and tactility; from the early yarn selection, to the final imaginary. His collection Insert Artifact takes an effort in pushing the idea of knitwear by knitting in intuitive and artisanal ways; questioning what comfort and nurturing design language really means? All yarns are either deadstock, Ecotec/recycled or left-overs from previous graduation projects. The aim is to work with this limitation and taking the idea of basically working with what you can find. A similar cone is added to the knit once the yarn is entirely finished, explaining the sudden slight changes in color and texture, taking the maximum out of the cone. Additionally, the relationship with the knit and the woven is researched by integrating upcycled clothes in the designs.